A Cultural History of Memory presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of memory throughout history. This volume, A Cultural History of Memory in the in the Nineteenth Century explores memory in the ‘long nineteenth century’. As with all the volumes in the illustrated Cultural History of Memory set, this volume presents essays on memory and: power and politics; time and space; media and technology; science and education; philosophy, religion and history, high culture and popular culture; rituals, faith, practices and the everyday; and remembering and forgetting. A Cultural History of Memory in Nineteenth Century is the most authoritative and comprehensive survey available on memory in the ‘long nineteenth century’.

A Cultural History of Memory presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of memory throughout history. This volume, A Cultural History of Memory in the in the Nineteenth Century explores memory in the 'long nineteenth century'. As with all the volumes in the illustrated Cultural History of Memory set, this volume presents essays on memory and: power and politics; time and space; media and technology; science and education; philosophy, religion and history, high culture and popular culture; rituals, faith, practices and the everyday; and remembering and forgetting. A Cultural History of Memory in Nineteenth Century is the most authoritative and comprehensive survey available on memory in the 'long nineteenth century'.

On January 30, 1933, hearing about the celebrations for Hitler s assumption of power, Erich Ebermayer remarked bitterly in his diary, We are the losers, definitely the losers. Learning of the Nuremberg Laws in 1935, which made Jews non-citizens, he raged, hate is sown a million-fold. Yet in March 1938, he wept for joy at the Anschluss with Austria: Not to want it just because it has been achieved by Hitler would be folly.

In a masterful work, Peter Fritzsche deciphers the puzzle of Nazism s ideological grip. Its basic appeal lay in the Volksgemeinschaft a people s community that appealed to Germans to be part of a great project to redress the wrongs of the Versailles treaty, make the country strong and vital, and rid the body politic of unhealthy elements. The goal was to create a new national and racial self-consciousness among Germans. For Germany to live, others especially Jews had to die. Diaries and letters reveal Germans fears, desires, and reservations, while showing how Nazi concepts saturated everyday life. Fritzsche examines the efforts of Germans to adjust to new racial identities, to believe in the necessity of war, to accept the dynamic of unconditional destruction in short, to become Nazis.

Powerful and provocative, "Life and Death in the Third Reich" is a chilling portrait of how ideology takes hold.

The story of how Germans came to embrace the Third Reich. Germany in early 1933 was a country ravaged by years of economic depression and increasingly polarized between the extremes of left and right. Over the spring of that year, Germany was transformed from a republic, albeit a seriously faltering one, into a one-party dictatorship. In Hitler's First Hundred Days, award-winning historian Peter Fritzsche examines the pivotal moments during this fateful period in which the Nazis apparently won over the majority of Germans to join them in their project to construct the Third Reich. Fritzsche scrutinizes the events of the period - the elections and mass arrests, the bonfires and gunfire, the patriotic rallies and anti-Jewish boycotts - to understand both the terrifying power that the National Socialists came to exert over ordinary Germans and the powerful appeal of the new era that they promised.

'A profoundly significant exploration of how Europeans--both Germans and those under German occupation--struggled to make sense of the conflict.' - Richard Overy, Wall Street Journal In An Iron Wind, historian Peter Fritzsche draws on first-person accounts to show how civilians in occupied Europe struggled to understand the terrifying chaos of World War II. As the Third Reich targeted Europe's Jews, confusion and mistrust reigned. Was collaboration or resistance the wisest response? And where was God? Piecing together the broken words of the war's witnesses and victims, Fritzsche offers a haunting picture of the most violent conflict in modern history.

Why did ordinary Germans vote for Hitler? In this dramatically plotted book, organized around crucial turning points in 1914, 1918, and 1933, Peter Fritzsche explains why the Nazis were so popular and what was behind the political choice made by the German people.

Rejecting the view that Germans voted for the Nazis simply because they hated the Jews, or had been humiliated in World War I, or had been ruined by the Great Depression, Fritzsche makes the controversial argument that Nazism was part of a larger process of democratization and political invigoration that began with the outbreak of World War I.

The twenty-year period beginning in 1914 was characterized by the steady advance of a broad populist revolution that was animated by war, drew strength from the Revolution of 1918, menaced the Weimar Republic, and finally culminated in the rise of the Nazis. Better than anyone else, the Nazis twisted together ideas from the political Left and Right, crossing nationalism with social reform, anti-Semitism with democracy, fear of the future with hope for a new beginning. This radical rebelliousness destroyed old authoritarian structures as much as it attacked liberal principles.

The outcome of this dramatic social revolution was a surprisingly popular regime that drew on public support to realize its horrible racial goals. Within a generation, Germans had grown increasingly self-reliant and sovereign, while intensely nationalistic and chauvinistic. They had recast the nation, but put it on the road to war and genocide.

Franz Goll was a thoroughly typical Berliner. He worked as a clerk, sometimes as a postal employee, night watchman, or publisher's assistant. He enjoyed the movies, ate spice cake, wore a fedora, tamed sparrows, and drank beer or schnapps. He lived his entire life in a two-room apartment in Rote Insel, Berlin's famous working-class district. What makes Franz Goll different is that he left behind one of the most comprehensive diaries available from the maelstrom of twentieth-century German life. Deftly weaving in Goll s voice from his diary entries, Fritzsche narrates the quest of an ordinary citizen to make sense of a violent and bewildering century.

Peter Fritzsche paints a deeply affecting portrait of a self-educated man seized by an untamable impulse to record, who stayed put for nearly seventy years as history thundered around him. Determined to compose a symphony from the music of everyday life, Goll wrote of hungry winters during World War I, the bombing of Berlin, the rape of his neighbors by Russian soldiers in World War II, and the flexing of U.S. superpower during the Reagan years. In his early entries, Goll grappled with the intellectual shockwaves cast by Darwin, Freud, and Einstein, and later he struggled to engage with the strange lifestyles that marked Germany's transition to a fluid, dynamic, unmistakably modern society.

With expert analysis, Fritzsche shows how one man's thoughts and desires can give poignant shape to the collective experience of twentieth-century life, registering its manifold shocks and rendering them legible.

In this inventive book, Peter Fritzsche explores how Europeans and Americans saw themselves in the drama of history, how they took possession of a past thought to be slipping away, and how they generated countless stories about the sorrowful, eventful paths they chose to follow.

In the aftermath of the French Revolution, contemporaries saw themselves as occupants of an utterly new period. Increasingly disconnected from an irretrievable past, worried about an unknown and dangerous future, they described themselves as indisputably modern. To be cast in the new time of the nineteenth century was to recognize the weird shapes of historical change, to see landscapes scattered with ruins, and to mourn the remains of a bygone era.

Tracing the scars of history, writers and painters, revolutionaries and exiles, soldiers and widows, and ordinary home dwellers took a passionate, even flamboyant, interest in the past. They argued politics, wrote diaries, devoured memoirs, and collected antiques, all the time charting their private paths against the tremors of public life. These nostalgic histories take place on battlefields trampled by Napoleon, along bucolic English hedges, against the fairytale silhouettes of the Grimms' beloved Germany, and in the newly constructed parlors of America's western territories.

This eloquent book takes a surprising, completely original look at the modern age: our possessions, our heritage, and our newly considered selves.

Dieses WArterbuch erklArt die wichtigsten FachausdrA1/4cke der Verhaltensbiologie der Tiere und der biologischen Grundlagen des menschlichen Verhaltens in ihren ZusammenhAngen. Das Spektrum der mehr als 2800 StichwArter reicht von der klassischen Ethologie bis zu den modernen Disziplinen wie Soziobiologie, VerhaltensAkologie, Verhaltensphysiologie, molekularer Verhaltensgenetik, Chronobiologie, Bioakustik, Humanethologie, Verhaltenstoxikologie etc. Damit soll allen am Verhalten Interessierten das nAtige Grundwissen vermittelt werden, um ihre Beobachtungen besser zu verstehen. Studierenden der Biowissenschaften, Psychologie, PAdagogik, Soziologie, VeterinArmedizin und Landwirtschaft sowie Biologielehrern und Fachwissenschaftlern wird das WArterbuch schnell und zuverlAssig helfen, die umfangreiche verhaltensbiologische Literatur zu verstehen. Verhaltensbiologen liefert es eine Richtschnur zur einheitlichen Verwendung der Fachtermini, um so die Kommunikation zwischen den Experten verschiedener Arbeitsrichtungen zu verbessern.

Coming to terms with a troubled past is the mark of the modern condition. But how does memory operate? This powerful collection of original essays probes this question by focusing on Germany, where historical trauma and political turbulence over the past century have deeply scarred modern memory and identity. Tracing the role of memory in German history between the Reformation and reunification, contributors show how memory has a history and the presence of the past has historical context. With scholarly zeal and keen insight, these essays draw on ghost stories and the postwar fiction of Heinrich Boell, among other memory sites, escorting the reader through the streets of Alt Hildesheim and the grocery aisles of East Germany. By historicizing memory, this volume surpasses the efforts of previous memory scholarship in confronting Germany's National Socialist past. Standard approaches to memory in modern Germany have explored how the past represents social relations and is commemorated in literature, art, and personal narrative. In taking memory "out of the museum" and "beyond the monument," The Work of Memory investigates the ways memory forms social relations and is integral to the construction of identities, communities, and policies. Profound and provocative, The Work of Memory contributes to a much-needed anthropology of memory in modern Germany.

The great cities at the turn of the century were mediated by words--newspapers, advertisements, signs, and schedules--by which the inhabitants lived, dreamed, and imagined their surroundings. In this original study of the classic text of urban modernism--the newspaper page--Peter Fritzsche analyzes how reading and writing dramatized Imperial Berlin and anticipated the modernist sensibility that celebrated discontinuity, instability, and transience. It is a sharp-edged story with cameo appearances by Georg Simmel, Walter Benjamin, and Alfred Doblin. This sumptuous history of a metropolis and its social and literary texts provides a rich evocation of a particularly exuberant and fleeting moment in history.

From huge, fragile airships hanging in the sky to dashing young war pilots obsessed with death and destruction, this text describes Germany's perilous romance with aviation, covering the bright idealism of flight and its darker service in total war.

World War II reached into the homes and lives of ordinary people in an unprecedented way. Civilian men, women, and children made up the vast majority of those killed by the war, and the conflict displaced millions more. On Europe's home fronts, the war brought the German blitzkrieg, followed by long occupations and the racial genocide of the Holocaust. In An Iron Wind , historian Peter Fritzsche draws on diaries, letters, and other first-person accounts to show how civilians in occupied Europe struggled to understand this terrifying chaos. As the Third Reich targeted Europe's Jews for deportation and death, confusion and mistrust reigned. What were Hitler's aims? Did Germany's rapid early victories mark the start of an enduring new era? Was collaboration or resistance the wisest response to occupation? How far should solidarity and empathy extend? And where was God? People tried desperately to answer such questions and make sense of the horrors around them, but the stories they told themselves often justified a selfish indifference to their neighbours' fates.Piecing together the broken words of World War II's witnesses and victims,probing what they saw and what they failed to see,Fritzsche offers a haunting picture of the most violent conflict in modern history.